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Performed at Sidney Sussex Chapel, Cambridge, December 2010 |
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Music: |
Chopin, "Fantasie Impromptu" performed live by David Earl Saba Hinrichs |
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| A study in looping movement to one of Chopin's most popular piano solos. | ||
Performed at Cloud Dance Festival, |
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![]() Image: Darien Graham-Smith |
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Music: |
Phillip Glass, "Company" Movements 2 and 3 Tzo-Zen Ang, Jennifer Hersch, Saba Hinrichs |
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"Haunting female sound bites,
like the voices in your head accompany the three arresting female dancers... the mesmerizing motion of
the ensemble keeps the audience captivated." - Jenny Teale "The company explode the stage with flashes of bold energy as they
continuously shift and pursue each other in the space." - Michelle Harris |
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Performed at Manor College, Cambridge, July 17 2010 |
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Music: Dancers: |
The Killers "I Can't Stay" Ben Taylor, Lucy Crowe |
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What happens when an irresistable force meets an immovable object? This isn't the answer, but it was fun trying. |
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Performed at Robinson College, Cambridge, June 23 2009 Revived at the ADC Theatre, Cambridge, 20 Oct 2009 |
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![]() Image: Lise Smith |
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Music: |
Phillip Glass, "Company" Movements 2 and 3 Tzo-Zen Ang, Jennifer Hersch, Saba Hinrichs (June) |
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"Woman! What does she want?" |
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Performed at Queens' College, Cambridge, March 10-11 2009 |
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Music: Dancers: |
The Smiths, "Please Please Please Let Me Get What I Want This Time" Tzo Zen Ang, Jennifer Hersch, Sandy Kwok (Tuesday), Janet French (Wednesday) |
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Sometimes, the thing we seek has been right in front of us all along. |
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ArtsDepot, Finchley, 9-13 March 2009 |
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Dancers: |
St Josephs Junior Y5, Claremont Primary Y3, St Marys CE High Y10-13 |
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Choreography for the 19th annual Barnet Schools Dance Festival inspired by greetings and contact work, sports and games, and upbeat contemporary technique. |
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Performed at Sader's Wells Lilian Bayliss Theatre, Feb 4 2009 |
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Music: Dancers: |
Yann Tiersen, "La Noyee" Y5 Dancers from St Joseph's Primary School, Hendon |
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Choreography created for the launch of the London Grid for Learning/Ballet Boyz schools contemporary dance project, usinng motifs inspired by Charles Linehan's "Jjanke". Folk dances, contact work and travelling phrases combine in this lively and playful piece for boys and girls, showcasing the use of the new LGfL resources. |
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Performed at Mumford Theatre, Cambridge, 28-29 November 2008 |
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![]() Image: Duncan Grisby |
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Music: Dancers: |
Laurie Anderson, "O Superman (For Massenet)"; De La Soul,"Transmitting Live from Mars"; Lou Reed, "New York Conversation" Tzo-Zen Ang, Sandy Kwok, Jennifer Harcourt, Netta Shamir, Jennifer Hersch |
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Luna Performed at Mumford Theatre, Cambridge, 28-29 November 2008 |
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Music: Dancers: |
Beethoven, "Moonlight Sonata" Jennifer Hersch, Orris Gordon |
![]() Image: Claude Schneider
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Such Stuff Revisited |
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![]() Image: Duncan Grisby |
Performed at Trinity College, 18 June 2008 |
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Music: Dancers: |
Live improvisations by Ewan Campbell Tzo-Zen Ang, Sandy Kwok |
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A reworking of "Such Stuff as Dreams" for the unique space of Trinity College Cloisters, using live instrumentation and incorporating the musician into the dance. Reviving the piece encouraged me to rethink the specific energy and relationships of the original duet, resulting in new choices and a very different performance. |
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Barnet Schools Dance Festival 2008 ArtsDepot, Finchley, 2-7 March 2008 Dancers: St James' Catholic High Y11, Moss Hall Y1 and 2, Claremont Primary Y4, St Mary's CofE High Y11 and 12
Fresh, accessible choreography for four of the schools participating in the 18th annual Barnet Schools Dance Festival. Movement themes included serpentine movement, underwater actions, a rainy day, contact work and playful body shaking! |
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Images: Lise Smith |
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Performed at ADC Theatre, Cambridge, 22-26 Jan 2008 |
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Music: Dancers: |
The Smiths, "Last Night I Dreamt That Somebody Loved Me" Sandy Kwok and Jennifer Hersch |
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Last night I dreamed....what? When we dream, we escape into our imaginations, a world of ideals, wishes, anxieties made real. And when we wake, that fleeting reality evaporates from our memories with every retelling. Was it like this? Or like this? Or like this....? |
Images: Duncan Grisby |
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The Show Performed at Finchley ArtsDepot, 16 March and 24 April 2007 | ||
Music: Dancers: |
Girls Aloud, "The Show" Martina Angelova, Mahabat Aydin, Talumba Chande, Imren Harman, Iliyana Lulcheva, Linda Oguniana, Sandra Opoku-Anane, Paida Makururu, Joy Matashe, Gwantwa Seeta-Lucas, Jasmin Tompkins, Nancy Khanu, Suko Khumala, Winifred Opoku, Jacinta Namataka, Louwin Nhamoinesu, Nicola Ufomadu, Bhavisha Vakharia | ![]() |
The theme of “The Show” is a celebration of physicality and display. Dancers pose and strut across the stage and wind around one another, competing for attention. | ||
| The piece was created using Bob Fosse-style body shapes as an inspiration. The performers then created their own sections using contact work and intertwining shapes. |
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Performed at Laban, London, June 6 2006 |
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Music: Dancers: |
Joy Division , “Love Wil Tear Us Apart” Catarina Carvallho and Sarah Pagram |
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As dancers, we often consider movement to be a universal language, and the idea that dance communicates to an audience is usually accepted by both dancemaker and viewer. This duet, structured as a miscommunication, experiments with the idea of movement being assumed as a mode of communication by one party, and not understood by the other. |
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The movement phrase simultaneously represents itself - an attempt to communicate through movement in the face of incomprehension – and refers to or translates a misfiring conversation between two partners. The duet is a moment in time: resolution is incomplete; this particular discussion has roots in the past and will recur in the future. |
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Performed at Queens’ College, March 8-9 2006 | ||
Music: Dancers: |
The Smiths, “Bigmouth Strikes Again” Amy Hall, Anna Lopatinskaya, Akua Gyekye, Cecily Morrison, Angelina Lai, Sandy Kwok, Tzo-Zen Ang, Jennifer Hersch, Beth Tanner |
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Sweetness, I was only joking when I said I’d like to smash every tooth in your head... |
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| The choreographer could pretend that this combination of physical improvisation and release technique had some kind of social commentary at its heart, but really she just likes watching the dancers throw one another around. | ||
Las Carreteras | ||
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Performed at Queens’ College, March 13-14 2005 |
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Music: Choreographed by: Dancers: |
Buena Vista Social Club, “El Carretero” Lise Smith and Leah-Marie Seaward Tzo-Zen Ang, Kai Er Eng, Lise Smith, Gemma Bridge, Wen-Yi Ding |
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| Al Caballo vamos p’al monter. Five riders journey together on horseback, accompanying and supporting one another. | ||
Coming Through? |
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Performed at ADC Theatre, 25-29 January 2005 |
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Music:
Dancers: | The Chemical Brothers, “The Test” Sandy Kwok, Denise Van Der Kamp, Vaughan Watts |
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Are you hearing me, like I’m hearing you? Three dancers try, and fail, to communicate. Phrases are repeated, interrupted, ignored and misunderstood. Can we find a way through the babble to clarity?
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Monica Performed at Café Afrika, 12 June 2004 |
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| Choreographed and danced by:
Music: |
Vidya Math and Lise Smith
RD Burman: “Piya tu…Ab to aaja” performed by Asha Bhosle |
A duet that unites Indian dance with a cabaret sensibility. “Piya tu…” originally appeared in the popular 1971 Hindi film Caravan, performed by the gloriously vampy actress Helen. This interpretation seeks to bring together the different dance styles of the two performers in expressing the song’s feeling of longing for an absent lover. |
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Beyond the Border | ||
Performed ADC Theatre, 20 - 24 January 2004 |
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Music: Dancers: |
Gustav Holst, "Neptune" from The Planets Vaughan Watts, Helen Gaw | |
Falling, catching, coming together, missing….this piece explores what it means to be beyond the border of love. |
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Jivitakamah Performed ADC Theatre, 20 - 24 January 2004 | ||
Music: Choreographed and danced by: |
Iggy Pop, “Lust for Life”
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Bharat Natyam, a dance form originating from Tamil Nadu in South India, is among the oldest and the richest of Indian classical dances. The dance includes both nritta (pure dance steps) and abhinaya (expressions conveyed by hand gestures and facial expressions). The lyrical content of the song danced to is expressed to the audience through abhinaya, so the dance becomes a physical translation of music, rhythm and words. The piece also interprets Indian culture into a Western context. This particular dance is known as a Javali, and expresses a mood of love and joy; it is short, fast and light in mood. |
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Bizarre Love Triangle |
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Performed ADC Theatre, 21 - 25 January 2003 | ||
Music: Dancers: |
JS Bach, ‘Bach Street Prelude’, performed by Vanessa Mae Lise Smith, Sam Maddrell, Barbara Babei | |
Exploring the boundaries between people and relationships. Although this dance is not strictly about a love triangle, it is about the ways in which people come together and interact, and about the possible combinations that can be created between three people. It is also about the contrasting and uniting of three different dance styles. |
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Long Niane | ||
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Performed at Emmanuel College, 20-24 February 2001, and at The Garage Citrus Club, Edinburgh, 4-17 August 2002 |
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Music: Dancers: |
Simple Minds, ‘Year of the Dragon’ Barbara Babei, Jean, Jocelyn Phillips, Masami Torii (Cambridge) |
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Undulating pentatonic scales reminiscent of Chinese music, ordered sequences of scales counterpointed by soaring string melodies, are the basis for this music and for the movement based upon it. Movement dissolves, reforms and passes from dancer to dancer. The choreographer is, incidentally, a 1976 Dragon. |
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